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Blake's 7

Blake's 7

British science fiction television series (1978–1981)

1 min read
Reviewed by GlyphSignal·Updated 2026-07-22·Methodology·Disclosure·Source·Contact

Why this is trending

Interest in “Blake's 7” spiked on Wikipedia on 2026-07-22.

Categorised under Entertainment, this article fits a familiar pattern. Articles in the entertainment category often trend when tied to award ceremonies, film releases, celebrity news, or viral social media moments.

At GlyphSignal we surface these trending signals every day—transforming Wikipedia’s vast pageview data into actionable insights about global curiosity.

2026-06-23Peak: 6332026-07-21
30-day total: 13,020

Key Takeaways

  • Blake's 7 is a British science fiction television programme produced by the BBC.
  • It was created by Terry Nation, who also wrote the first series, produced by David Maloney (series one to three) and Vere Lorrimer (series four), and the script editor throughout its run was Chris Boucher, who wrote nine of its episodes.
  • Blake's 7 was broadcast in 25 other countries.
  • It retains a sizeable and enthusiastic fan base, and was described in The Guardian ' s 40-year retrospective as "a bold show that wasn't afraid to break formulas".

Source note: This page combines GlyphSignal analysis with attributed reference material from Wikipedia. GlyphSignal adds trend context, traffic history, categorization, and editorial interpretation. See how we build these pages.

Source summary

Wikipedia

Blake's 7 is a British science fiction television programme produced by the BBC. Four series of thirteen 50-minute episodes were broadcast on BBC1 between 1978 and 1981. It was created by Terry Nation, who also wrote the first series, produced by David Maloney (series one to three) and Vere Lorrimer (series four), and the script editor throughout its run was Chris Boucher, who wrote nine of its episodes. The main character for the first two series was Roj Blake, played by Gareth Thomas.

Blake's 7 was broadcast in 25 other countries. It had a low budget but featured many tropes of space opera, such as spaceships, robots, galactic empires and aliens. Critical responses have been mixed; some praised the programme for its dystopian themes, strong characterisation, ambiguous morality and pessimistic tone, as well as displaying an "enormous sense of fun", but others have criticised its production values and dialogue, and accused it of lacking originality. It retains a sizeable and enthusiastic fan base, and was described in The Guardian's 40-year retrospective as "a bold show that wasn't afraid to break formulas".

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