The Monster (novella)
1898 novella by Stephen Crane
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Key Takeaways
- The Monster is an 1898 novella by American author Stephen Crane (1871–1900).
- An African-American coachman named Henry Johnson, who is employed by the town's physician, Dr.
- When Henry is branded a "monster" by the town's residents, Trescott vows to shelter and care for him, resulting in his family's exclusion from the community.
- The fictional town of Whilomville, which is used in 14 other Crane stories, was based on Port Jervis, New York, where Crane lived with his family for a few years during his youth.
- A study of prejudice, fear, and isolation in a rather small town, the novella was first published in Harper's Magazine in August 1898.
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Source summary
WikipediaThe Monster is an 1898 novella by American author Stephen Crane (1871–1900). The story takes place in the small, fictional town of Whilomville, New York. An African-American coachman named Henry Johnson, who is employed by the town's physician, Dr. Trescott, becomes horribly disfigured after he saves Trescott's son from a fire. When Henry is branded a "monster" by the town's residents, Trescott vows to shelter and care for him, resulting in his family's exclusion from the community. The novella reflects upon the 19th-century social divide and ethnic tensions in America.
The fictional town of Whilomville, which is used in 14 other Crane stories, was based on Port Jervis, New York, where Crane lived with his family for a few years during his youth. It is thought that he took inspiration from several local men who were similarly disfigured, although modern critics have made numerous connections between the story and the 1892 lynching in Port Jervis of an African-American man named Robert Lewis. A study of prejudice, fear, and isolation in a rather small town, the novella was first published in Harper's Magazine in August 1898. A year later, it was included in The Monster and Other Stories—the last collection of Crane's work to be published during his lifetime.
Written in a more exact and less dramatic style than two of his previous major works (Maggie: A Girl of the Streets and The Red Badge of Courage), The Monster differs from the other Whilomville stories in its scope and length. Its themes include the paradoxical study of monstrosity and deformity, as well as race and tolerance. While the novella and collection received mixed reviews from contemporary critics, The Monster is now considered one of Crane's best works.
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